Porta Pia begun 1562 - Porta Pia, Rome Traces of Michelangelo's architectural activities are found in some parts of Rome. There are, for example, the sombre, crenellated bastions of the Porta Pia, where it is evident that the architect was primarily a sculptor. The central section, belonging to the 19th century, greatly weakens the dignified appearance of the original. Artist: MICHELANGELO Buonarroti Title: Porta Pia Date: 1501-1550 Italian , graphics : other 1562 - Porta Pia, Rome Traces of Michelangelo's architectural activities are found in some parts of Rome. There are, for example, the sombre, crenellated bastions of the Porta Pia, where it is evident that the architect was primarily a sculptor. The central section, belonging to the 19th century, greatly weakens the dignified appearance of the original. Artist: MICHELANGELO Buonarroti Title: Porta Pia Date: 1501-1550 Italian , graphics : other
Last Judgment 1537-41 Fresco Cappella Sistina, Vatican The picture shown is a detail of the lower right part depicting Charon. Artist: MICHELANGELO Buonarroti Title: Last Judgment (detail) Date: 1501-1550 Italian , painting : religious 1537-41 Fresco Cappella Sistina, Vatican The picture shown is a detail of the lower right part depicting Charon. Artist: MICHELANGELO Buonarroti Title: Last Judgment (detail) Date: 1501-1550 Italian , painting : religious
Ignudo 1509 Fresco Cappella Sistina, Vatican The picture shows the head of the Ignudo at the upper right corner of 1he Drunkenness of Noah (above the Delphic Sibyl). Artist: MICHELANGELO Buonarroti Title: Ignudo (detail) Date: 1501-1550 Italian , painting : religious 1509 Fresco Cappella Sistina, Vatican The picture shows the head of the Ignudo at the upper right corner of 1he Drunkenness of Noah (above the Delphic Sibyl). Artist: MICHELANGELO Buonarroti Title: Ignudo (detail) Date: 1501-1550 Italian , painting : religious
The Delphic Sibyl 1509 Fresco Cappella Sistina, Vatican In the center of the face - seen frontally, half in the light and half in a moderate shadow - there are traces of a crossincised to mark the vertical axis of the oval and the alignment of the eyes. Artist: MICHELANGELO Buonarroti Title: The Delphic Sibyl (detail) Date: 1501-1550 Italian , painting : religious 1509 Fresco Cappella Sistina, Vatican In the center of the face - seen frontally, half in the light and half in a moderate shadow - there are traces of a crossincised to mark the vertical axis of the oval and the alignment of the eyes. Artist: MICHELANGELO Buonarroti Title: The Delphic Sibyl (detail) Date: 1501-1550 Italian , painting : religious